Текст песни Miles Davis - This is Jazz
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В 1949 году Miles Davis организовал совместно с пианистом Tadd Dameron новый коллектив, выступивший на фестивале в Париже в мае того же года. Творческий прогресс трубача был сильно замедлен пристрастием к героину, особенно сильным в начале 50-х годов. После серии спорадических записей и выступлений, в январе 1951 года он начал более стабильную работу на лэйбле Prestige, продолжавшуюся несколько лет. Сильное впечатление произвело его исполнение "Round Midnight" на Newport Jazz Festival в июле 1955 года. Последовавший престижный контракт с Columbia заставил Miles Davis собрать новый бэнд, на этот раз квинтет, с саксофонистом John Coltrane, пианистом Red Garland, басистом Paul Chambers и ударником Philly Joe Jones. Весь год Miles Davis пришлось много работать по обоим контрактам, в результате чего появились "The New Miles Davis Quintet", "Cookin", "Workin"', "Relaxin" и "Steamin''. В мае 1957 года Miles Davis вновь сотрудничает с Билом Эвансом на своем втором диске для Columbia, Miles Ahead. Он играет здесь на флюгепьгорне, развивая идеи "Birth of the Cool" в почти академическом ключе. Изданный в 1958 году, этот альбом позже вошел в Grammy Hall of Fame. В декабре 1957 году Miles Davis вновь в Париже, где он записывает музыку для фильма Луи Маля "L'Ascenseur pour I'Echafaud" ("Лифт на эшафот"). Jazz Track, альбом с музыкой к этому фильму, принес ему в 1960 году номинации на Грэмми за лучшее джазовое выступление, лучшее соло и лучшее комбо Davis, the son of a dentist Dr. Miles Dewey Davis Jr. and music teacher Cleota Mae (Henry) Davis, grew up in a family of middle-class blacks in St. Louis, where the family moved soon after his birth. He became interested in music as a child, and at age 12 he learned to play the trumpet. While still in high school, he played in local bars and at age 16 already gave concerts outside the city where he lived. At age 17 he became a member of the & quot; Eddie Randle's Blue Devils & quot ;. His star on fire in 1944, when he was invited to the big band Billy Eckstine'a, who toured in St. Louis. The band are playing then the trumpeter Dizzy Gillespie and saxophonist Charlie Parker, the creators of bebop style, which is characterized by rapid and inventive solos and dynamic rhythmic variations. Surprisingly, Miles Davis very organically fit into their company, although it is slow, drawling style have never been able to compete with such speeds. However, bebop was a completely new style, and Miles Davis had no choice, as soon as his playing. He did this until the departure from the Midwest to New York in September 1944 to study at the Institute of Musical Art (known more as the Juilliard). Soon he was playing in clubs with Parker, and in 1945 rejected the idea to get an academic education in favor of a career practitioner jazz musician. He joined the ensemble of Benny Carter, with whom he made his first recordings. In the years 1946- 1947 he played with Eckstine, in 1947-1948 years - with Parker. In 1947 he made his first recording as a leader of the group, where he was playing Parker, pianist John Lewis, bassist Nelson Boyd and drummer Max Roach. In the summer of 1948, he organized an unusual nonet brass section. In addition to himself, it included an alto and baritone-Saxons, trombone, French horn and tuba. In September, the Nonet played two weeks in the Royal Roost in New York, based on the arrangement of Bill Evans. Having signed a contract with Capitol, in January 1949, this Nonet has recorded the first of three sessions, at first did not attracting a broad attention. However strange, relaxed sound of the ensemble, which played Kai Winding, Lee Konitz, Gerry Mulligan, John Lewis, J J. Johnson and Kenny Clarke, had a great impact on the development of cool jazz on the West Coast. In February 1957, Blue Note has brought all these records in a disc published under the name & quot; Birth of the Cool & quot ;.
In 1949 Miles Davis organized together with pianist Tadd Dameron new band, performed at the festival in Paris in May of that year. Creative trumpeter progress was severely slowed by heroin addiction, particularly strong in the early 50s. After a series of sporadic recordings and performances, in January 1951 he began to work on a more stable label Prestige, which lasted several years. Strong impressed his performance & quot; Round Midnight & quot; at the Newport Jazz Festival in July 1955. The ensuing prestigious contract with Columbia caused Miles Davis assemble a new band, this time the quintet with saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones. All year Miles Davis had to work for both contracts, with the result that there were & quot; The New Miles Davis Quintet & quot ;, & quot; Cookin & quot ;, & quot; Workin & quot; ', & quot; Relaxin & quot; and & quot; Steamin ''. In May 1957, Miles Davis once again collaborating with Bill Evans on his second disc for Columbia, Miles Ahead. He plays here flyugepgorne, developing the ideas of & quot; Birth of the Cool & quot; in an almost academic manner. Published in 1958, this album later entered the Grammy Hall of Fame. In December, 1957 Miles Davis again in Paris, where he writes the music for the film Louis Malle & quot; L'Ascenseur pour I'Echafaud & quot; (& quot; Lift to the scaffold & quot;). Jazz Track, an album of music for this film, earned him a 1960 Grammy nomination for best jazz performance, solo better and better combo
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